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Phlegethon

Posted: Saturday, July 31, 2010 | Posted by Mei | Labels: , , 0 comments
[Phlegethon]
What was once the western packhouse of the Eagles (called the kinhouse for a time for its many occupants) has now fallen into saddened state of disrepair. Every available surface is dusty, the bar put in by James neglected. A few of the windows have been shattered, and the side of the building spray painted.

Without the pack to hold it, their rage to discourage the denizens of the neighbourhood, there is little to stop the damage. It is not taking the neighbours long to reclaim it.

[Sorrow]
There is a small shrine to Sparrow in the muddy front yard. A concrete birdbath and a series of bird feeds scattered round. Inside the dusty, slowly decaying kinhouse - a small stash of supplies. The birdfood is sealed inside a pair of large rubbermaid containers tucked just inside the front door. There's still water here, from a rusting sink near the bar that James installed. Whatever booze remained is long since gone, but water is all Sparrow needs.

The evening is all deep shadows, and the interior is thick and hot and sluggish. Kora is crouched on her haunches, one of the rubbermaid containers open, using a plastic cup to refill one of the bird feeders she carted back inside. "There's water behind the bar. I try to change it every day, and keep the feeders filled up. Get the water for me, yeah?"

She lifts her chin toward the bar. "There's a sink back there."

[Roman Turner]
He looked around for a bucket to fill with water and ended up with the bottom half of a Styrofoam cooler that he carried back to the sink. Mostly he was looking around what remained of the place.

"I gotta admit Miss Kora, I'm mighty let down."

[Sorrow]
This time she doesn't correct the title. There is nothing about her deserving the appellation Miss, dressed as she is in old jeans, worn nearly through at the knees, frayed at the cuffs, the seams dark with blood that cannot be scrubbed out from underneath the doubled stitches, and an old t-shirt, her hair pulled sharply back from her face and twisted into a knot secured by the broken barrel of an old pen. So: Kora, a red plastic cup full of birdseed cracked to use as a funnel, glances up at Roman through the gloom, the hint of a smile at the edge of her mouth.

It is dark in here, and dust floats through the air as Roman crosses the room.

"You were expecting the Ritz?" she asks in response, her dark eyes tracing a circuit around the dark room.

[Roman Turner]
"No ma'am, but I expected something more to live up to the legend of what was suppose to be a mighty Pack if all the talk is true. Instead, well this is like any ole run down place I done see since coming here."

He tilted the cooler to get a corner under the faucet and winced when he turned on the water to the squeaking sound of rusted faucets.

"I mean, I see nothing much in the way of history or mighty here."

[Sorrow]
Kora exhales a huff of air that stands in for a bark of laughter. The laughter lingers in her shoulders and her mouth, but it is full of irony, this. The dilapidated packhouse wouldn't have qualified as mighty even when it was in reasonable repair - and now, months after the last Eagle to call it home died alone in an alley, fighting for his life and then simply for an honorable death - it is worse.

There's just the sound of water in the rusty pipes, their own breathing, the night noises of the city a background haze, white noise.

The short, harsh little laugh is barely given voice. Instead, after a moment of silence during which she fixes the squirrel guard over the lid of the bird feeder, she returns - quiet but not soft. "You've been to the Caern, right? Walked among the graves?"

[Roman Turner]
"Yessum, and still it don't answer some things."

Blunt as an eraser he asked.

"Why did he leave, really? Why did he leave her here? I don't want to hear the duty story cause there's a Caern here that is under siege twenty four seven here, so that old excuse just don't float with me. Why would would someone leave her all alone like that? Like an old pair of shoes?"

[Sorrow]
"I don't fucking know." She curses rarely, and so when she finally does, the word seems larger, somehow, more sour on her tongue. There's a certain tautness underlying her lean frame now, a spark of response to the challenge ringing in Roman's litany of questions - even if none of that challenge was for her. "I share a tribe with him, and he is my elder, a modi so far above me in rank and power that I can't even challenge him in my dreams without feeling like an honorless cub. But I can't speak for him.

"I spoke with Silence-rhya three times. Once, he told me to stop coddling the modis. Once, he told me to shut up and stop apologizing. And once, I told him the story of Truth-in-Frenzy-rhya's death, and he watched me with such rage that I wasn't sure whether or not I'd find him waiting for me outside, for having the effrontery to be alive when my Alpha was dead.

"That's how I know him. That and the stories, Roman. And the stories are fucking glorious."

[Roman Turner]
"Ever notice that stories are somehow larger than the actual person?"

He was calm, he was uber calm. Lifting the cooler out of the sink, he started towards her.

"Ya ain't responsible for him. Ain't yer fault I challenge the logic of leaving a place where every hand is needed. And it ain't yer fault I question how ya leave a mate behind. I was just curious cause it don't make no sense."

[Phlegethon]
There is a broken window on the main floor. Shattered glass beneath it. From the opening, a breeze has moved through, giving them soft exhales of air, keeping the packhouse from being completely stuffy and closed off.

When the ruffles through Sorrow's hair, then, it is not entirely unexpected.

(per+alertness, please!)

[Sorrow]
Dice Rolled:[ 6 d10 ] 2, 2, 4, 5, 7, 8, 10 (Success x 3 at target 6) Re-rolls: 1
Per + Alertness!

[Roman Turner]
Dice Rolled:[ 5 d10 ] 3, 5, 6, 9, 10 (Success x 3 at target 6)
Per+Alert

[Sorrow]
"It's more complicated than that, Roman," the Skald returns, quietly. "The stories are only larger than the person because you don't hear them all shoved together into a mass. You hear them one at a time. You hear them as valedictories, as inspiration, because that is all we have of each other; all we have to memorialize our passing. They," she lifts her chin toward the open window, the passing breeze. Her voice is quiet, " - they'll never know our dead. They will never remember them - "

[Phlegethon]
to Roman Turner
He sees Sorrow's hair move in a sudden breeze, the strands fluttering loose from her haphazard bun. It moves in her face, heading past her. Except the one source of air in this room, the broken window, is behind her.

And he, standing in front of her, in the presumed path of the breeze, feels nothing at all.

[Phlegethon]
to Sorrow
She can feel the broken pen move in her hair, the locks of her haphazard style stirring. It hits her in the face, as she faces away from the broken window.

Roman's hair moves, not at all.

[Roman Turner]
"Ya believe in spooks Miss Kora?"


He added as he stood there with the cooler leaking in a steady dribble to soak into the top of one of his boots.

[Sorrow]
Then she goes still, quiet. This is abrupt enough that it seems stutter-shot, that it seems strobe-lit. If they were pack in truth, she would reach out and feel him in the back of her mind, touch that connection, send him an image, and impression. Instead, her sharp features go still, her mobile mouth, her dark eye. Kora is looking at Roman now, through the dusty gloom of the old Eagle's packhouse, the lid of the birdfood container held in her nerveless fingers lightly.

"I felt that." - she tells him quietly. "The wind hit me. Not you."

After a moment, a glance around the still dark room. "Something on the other side?" Nearly a whisper, her voice still carries. The umbra she means: the shadow-world.

[Roman Turner]
"Well I saw it in your hair, only it didn't come from the direction of the window there and it didn't reach me. So I vote for Spooks."

With his luck it was the missing Mate of Imogen's and he would die because he would ask why the guy left in the first place.

[Sorrow]
Dice Rolled:[ 4 d10 ] 2, 5, 6, 9 (Success x 1 at target 10) [WP]
"Your vote," she says, quietly, her mouth still with tension, just quirking in response to Roman's comment. " - is duly noted. I'm going to see if I can look across." With that, she straightens, centers herself carefully, and both pulls/pushes against the thick gauntlet, straining for a glimpse across.

[Phlegethon]
to Sorrow
To look across the gauntlet, Sorrow's focus must be absolute. The real world recedes around her. Even if Roman speaks to her, or even touches her, she will not hear or feel it. All she knows now is the feel of the gauntlet as her gaze pierces it, and all she knows is the sight of the shadowy Umbra, the impressions which she can see.

Spiders crawl across her vision, across the building that surrounds them. There are a few sparrow spirits beyond, hopping about the concrete bird bath, chirping forlornly.

An air spirit spins and weaves, ducking and diving before twisting frantically, spinning into a useless dervish before diving in Roman's direction.

[Phlegethon]
Sorrow focuses her attention on the Gauntlet and beyond and loses all awareness of the real world. As she does, Roman sees her hair move, stirring again, this time setting the broken barrel of a pen askew in the messy knot, causing half her blonde hair to come undone over her shoulders.

This time, his hair ruffles as well, moving with a breeze of impossible origins.

[Roman Turner]
"I ain't sure whatcha doing Miss Kora but seems like that Spook likes your hair down."

He started to walk around her, carrying the cooler and leaving a wet trail behind him. Trying to figure out what was messing with Kora and with his sense of logic, he dipped his fingers in the water and flicked it towards her like he was blessing her as he went. What he was really doing was trying to see if the droplets hit her or stopped because something was there.

[Sorrow]
Sorrow pulls her vision back from the other side abruptly, drawing in a great, deep breath as if she had been underwater for some time, breathless, watching the world swim into focus through a porthole. It feels like walking backward through solid steel made slowly permeable, like an impression of a face against the pins of a desk sculpture.

"It's just - " she says, quiet, shaking her head not unlike a dog emerging from the water trying to free its coat of every drop of moisture. More of her hair falls loose around her, the barrel of the pen catches on the strands, though, like a forgotten hot roller. " - frantic, trying to get our attention." The faintest ghost of a smile in his direction.

"Come on," she sinks down again, careful to seal in the birdseed - the good stuff, this. Thistle. - then straightens, reaching into her back pocket to pull out a mirror. "We need to go across, see what it wants."

[Sorrow]
Dice Rolled:[ 4 d10 ] 6, 8, 9, 10 (Success x 4 at target 6)
[Crossing the Gauntlet! -1 for shiny mirror]

[Roman Turner]
"What want's our attention, the Spook?"

She was pulling out her mirror so he pulled out the little flat metal mirror he carried in his back pocket.

"Hey now, wait for me!"

[Roman Turner]
Dice Rolled:[ 3 d10 ] 4, 4, 8 (Success x 1 at target 6)

[Phlegethon]
Sorrow is across near immediately. She had heard Roman's cry to wait for him. She can see him now, a shadowy form slowly coalescing in the Shadow.

The air here presses on her ears. It is oppressive and heavy. Only the breezes from the Airt spirit offers anything resembling relief as it spins and dives surging forward to burrow itself into Sorrow's hair, all the while chattering in the fluid language of spirits.

[Sorrow]
Dice Rolled:[ 4 d10 ] 3, 6, 6, 7 (Success x 3 at target 5)
Sorrow sets her jaw and swallows hard, trying to pop her ears as if that might ease the pressure in the heavy air. The speeds with which she crossed this time is nearly dizzying, and she almost stumbles forward, humanskinned still but wary, alert to her surroundings. The air spirit dives into her hair; she circles slowly, looking for any signs of threat as she reaches to wake the spirit in the small fetish - the flat shaft of worked iron dangling from an iron ring pierced trough the inner cartilage of her right ear.

[Sorrow]
The world resolves itself differently, then. She hears things anew. The spirits chatter is no longer merely this sort of mindless rush of sibilant syllables strong together without reason or meaning. "Hey, hey - " she's reaching back now, as if the spirit had hair she could touch, caress, soothe. " - what is the matter?"

[Phlegethon]
Reaching out to touch the spirit is something of an anomaly. It is nothing like she's ever felt before. It is air coalesced into a cushion, so that it has resistance, but only so much. Her fingers sink into the spirit, the air cool then warm then cool again against her skin.

"Get help," spirit says, and it's hard to tell if it means it wants Kora to get help, or if that is what it is doing, so unfocused is its phrasing. "Get sacks of meat which become great and hairy sacks of meat and ask for help. Find, find find, search, search. Look for ones unblemished. Look, find, find, find, quick, hurry.

"Sacks of meat must help us," it murmurs, whispers really. "The river, the river, the fire is at the river and it is losing. We are at the river and we are losing. The river must not be lost."

[Roman Turner]
He sucked in a great lungful of air once he managed to push through. Of course he was none the wiser for what was going on, so started doing what he did so well.

"What's going on?"

Asking questions.

"Is it the Spook?"

[Sorrow]
"It's the Spook," Sorrow confirms to Roman as he pushes throgh the Gauntlet. Her voice is low, her eyes half-closed at the strangeness of pushing her fingers through strange resistance of the little spirit's form. It feels the way she would imagine sinking into a cloud in a cartoon might feel. But clouds are like rain, whiskering past the oval windows of a climbing plane. So: nothing, ever.

There's a certain tension to her when Roman comes through; and a certain animal cant of her head that reads as "listening" no matter her form, human or feral or in between. Kora's hair is loose, now, pale coils in the shadows. " - an air spirit, it wants the "sacks of meat which become great and hairy sacks of meat" to come help it's fellow. We're obviously the sacks of meat. It says the air and fire spirits are fighting something at the river, for the spirit of the river, and they're losing.

"We need to go." This is short, sharp - quickly to Roman. "Right now. When we're close, I want you to use what cover you can to gain advantage on the enemy, okay? We'll work together, and listen for me. If the spirits have something to say to us, I can understand them now. I'll pass it on. Yeah?"

[Phlegethon]
"Go now, sacks of meat?" mutters the spirit in Kora's ear. "Go now?"

[Roman Turner]
"Yessum, though it sure would be easier if we were closer so words weren't necessary."

He figured it was one of those critters that had attacked them before at the river.

[Sorrow]
"We'll find the Ritesmistress tomorrow, kid," Sorrow says, quietly, " - and fix that." Then, lifting her chin to the spirit muttering into her ear, the creature nods just once.

"Meat sacks," she responds to the air spirit in a low voice, made strange by the gift. She hears her voice and her words as her voice and her words, but the fetish dangles, brighted somehow, gleaming against her skin, glinting gray against the tangled mass of her straw-colored hair, "are completely at your service. Show us."

Without another word, she half-falls, half-jumps forward, shifting through the forms until she is in her direwolf skin, massive, deadly and fast. The blonde hair is gone, become iron-gray fur, the narrow shoulders are broad, now, the generous mouth quirked with a hint of irony is a maw capable only of the simple work of eating and fighting and tearing and rending.

[Roman Turner]
"Garou."

Meat sacks his furry behind. How would that invisible spirit like it if he called it a toot? Still mentally grumbling about the one sided conversation he followed suit and shifted, only he went lupus for the run.

[Phlegethon]
The air spirit whoops as suddenly its perch shifts forward and becomes a great and hairy meat sack. It sinks downward before catching itself on an updraft surging up again to hover a few feet above the two Garou. Though Roman cannot understand the spirit, the sound of its chattering glee and relief is undeniable.

It really does not matter what it says. What Kora hears is unimportant, merely babbles of its reaction before it remembers itself. "OH! WE MUST GO! GO GO GO."

And takes off toward the river.

The wolves follow as it leads them farther away from the questionable residential and cheap office neighbourhood and closer to the warehouse distract. The spaces between the buildings widens out, and cranes and other heavy equipment dots the land in between. The air spirit weaves and dives, bobbing and spinning as it leads the way.

Ahead, they can see the wide expanse of the river. Ahead, they can see an orange glow of fire, and something darker, blacker. The orange surges, then fades again. They can hear the distant sound of something yelling, but it is too far to hear, even for Kora with her ear scoop fetish and its translation of the spirit's language.

The air spirit, visibly, slows down and begins to deflate. It hovers near the ground weaving slowly and starting to inch forward again, reluctant to close the distance.

[Roman Turner]
He followed making sure he kept an even distance with Kora while the spirit chattered on in a language that was mostly noise to him. It wasn't till they managed to travel close enough to see the orange surges that he shifted to the same shape Kora was in and he reached for Blur so he could slink as she had requested.

[Roman Turner]
Dice Rolled:[ 6 d10 ] 1, 2, 5, 7, 8, 8 (Success x 3 at target 6) [WP]
blur

[Phlegethon]
2 suxx at diff 8.

[Sorrow]
Dice Rolled:[ 4 d10 ] 3, 7, 8, 8 (Success x 3 at target 8) [WP]
The Fenrir runs, feels her muscles move underneath her skin, feels the blocks peel away behind her, the changing landscape ghostly and bare - spartan territory to claim by the standards of any Garou - except for shadows of weaver-things, the swinging cranes like the necks of a brontosaurus, the parked end-loader like an elephant, head low to the ground.

When they are close, she crawls forward and lifts her snout toward the battle, the oily darkness against the flame. You found us. Go, this to the air spirit that brought them here. find more great and hairy meat sacks, unblemished ones. Tell them to come, tell them to fight.

Then, dipping her head low, she summons takes a moment to center herself, tugs on her connection to her ancestors, before turning again, yipping at the blurred Roman before she begins off - swift-footed, but ready now, alert - toward the field of battle.

[Roman Turner]
He put some distance between them, not enough that he couldn't reach her quickly if need be, but enough to give him a little different angle from Kora to approach the battle. He still had no idea what was going on except some invisible air spirit wanted Meat Sacks to come to the river fast. And now he could see the orange flares and the darkness and while logic said dark was bad, he was stuck on the idea of air, fire and water, where was earth?

[Phlegethon]
As they draw closer, they see it is not only the flame against the darkness. Innumerable gafflings of air surround the fire elemental, feeding its flames with their air, shrieking and fleeing as the flame is attacked, but then marshalling their courage to band together and dive into the flame's centre. The fire bursts as that happens, scalding the oily black creature.

The creature: it has half a - well. one might say foot, but the thing has no feet to speak of. It is amorphous, congealed and an invertebrate. It remains, in part, in the water, a black darkness slowly spreading out into the river like a spill, like veins. The water elementals shudder and pull back. Blue sparks across the water as charms are activated, water elementals cleansing, cleansing, cleansing. One flickers and dies - out of its essence. Then, another.

The fire flares to life again and the oil creature lashes out, what was once nothing becoming an arm, smashing out to send the fire flying, air gafflings knocked loose, one or two tumbling downward, shocks of black showing through their translucent forms, like veins slowly leaking blood.

The air spirit hesitates, then it scurries away, fluttering through the air. In the distance, Sorrow can hear it call.

Sacks of MEAAAAAT! SACKS OF MEAAAAAT. HELP HELP.

Ahead of them, they can hear the fire. Kora can understand it. Telling the air gafflings to gather around. Telling the water to hold firm. Cleanse, cleanse. Don't let it touch!

--

Sorrow calls upon her ancestors to strengthen her muscles, to give her speed and accuracy to her blows. As she does, she feels the weight of One-Chance, a Fenrir Skald slide into her mind and displace memories and personality to make room for himself. His mind is calculating and quick. Everything is a weakness to be exploited, her body the weapon. She feels his strength fill her muscles and bones, fill her mind with confidence.

[Roman Turner]
He was none too keen on biting a bunch of oil, so with effort and thought he shifted towards Warform. Claws and arms made more sense to him. And what he was looking for as he moved in was where the black junk was coming from, did it have a center point?

[Sorrow]
The beast's body feels heavier, broader with the memories and strength of another filling up portions of her mind, displacing the memory of her first report card, maybe. Or the day she walked off the plane at Schipol, backpack heavy on her back, her eyes raw with sleep deprivation, every muscle stiff from sitting in he same position for nearly 8 hours. These things are lost for now. Maybe more: but all there is is the battle ahead.

Sorrow sorrows a challenge, low and wordless, at the battle-tableau spread out in front of them, then lifts her muzzle and barks at Fate. Looks foul. Use claws, not teeth unless I say bite. Then, the direwolf pads forward, shifting mid-way into her crinos form before joining the battle in full.

[-1 WP - Resist Pain!]

[Roman Turner]
Like Sorrow, he used WP to boost the Gift of Resist Pain. If ya got it, flaunt it, his ma said. The claws of his feet dug in to the earth as he pushed forward on two lean mean legs. A light dusting of chestnut fur coated his body. The fur, claws, muscles and muzzle and ears were something out of nightmares but to him it was just part of Warform.

Like Sorrow he was going in claws flashing for the icky black stuff.

[Phlegethon]
The spirit creature seemed to have a centre of gravity, or at least, at this moment, it had congealed more firmly in one point over any other. It does not appear to have a back or side, but that may have more to do with the fact it has no apparent eyes.

Still, as Sorrow shifts forward to her warform, the things weight shifts. Though there is no grin or mouth to speak of, she can hear the laughter of the thing, a dry clacking sound and imagine it's terrible glee.

The fire jaggling has faded to a shadow of itself, a few flames licking the air. An air spirit tumbles forward nudging it gently. The fire's flames are fanned, burning brighter. Another air spirit joins, then another, all the gafflings cooing softly as they try and coax the fire jaggling back to life. For the moment, it has fallen back, out of the beast's reach.

[Roman Turner]
Dice Rolled:[ 1 d10 ] 1
Init +8

[Phlegethon]
Dice Rolled:[ 1 d10 ] 6
Oil Slick - (+7)

[Phlegethon]
Dice Rolled:[ 1 d10 ] 3
Fire elemental + co +5

[Sorrow]
Dice Rolled:[ 8 d10 ] 1, 2, 3, 3, 6, 7, 10, 10 (Success x 3 at target 6)
There is no need for stealth. Sorrow shifts from direwolf to Crinos, running full speed; the great oily beast turns, clacking an chattering its pleasure as the Garou arrive. Briefly, she takes in the scene, the flagging fire jaggling, and gives passing consideration to assisting in its revival -

- but she is a Fenrir. Instead, she howls as she runs, the swelling crescendo of the anthem of war.

[Sorrow]
Dice Rolled:[ 1 d10 ] 7
[Init! +8]

[Phlegethon]
Sorrow - 15
Oil Slick - 13
Fate - 9
Fire Elemental - 8

Fire elemental: Recovering

[Roman Turner]
He was going for the thickest part with his claws.

1a claw
1b claw
1r claw

[Phlegethon]
Oil Slick -1. Hit roman
2. Glomp Kora

[Sorrow]
1a. Claw. 1b. Claw. 1c. Claw. Rage 1. Also: claw! Rage 2. AND A CLAW CLAW.

[Sorrow] 1a. Claw! Dex + Crinos + Brawl + Ancestors Sux -3.
Dice Rolled:[ 8 d10 ] 2, 3, 6, 6, 8, 8, 9, 10 (Success x 6 at target 6)

[Sorrow] Damage! Str + Crinos + Claw + Sux -1
Dice Rolled:[ 13 d10 ] 1, 3, 3, 5, 5, 6, 6, 7, 7, 7, 7, 9, 10 (Success x 7 at target 6)

[Phlegethon] Soak!
Dice Rolled:[ 7 d10 ] 1, 2, 3, 4, 5, 8, 10 (Success x 1 at target 6)

[Sorrow] 1b. -4
Dice Rolled:[ 7 d10 ] 1, 3, 5, 8, 8, 9, 9 (Success x 3 at target 6)

[Sorrow] Damage! 8+2
Dice Rolled:[ 10 d10 ] 1, 2, 4, 6, 6, 6, 7, 8, 8, 10 (Success x 6 at target 6)

[Phlegethon] SOAK!
Dice Rolled:[ 7 d10 ] 1, 2, 4, 5, 6, 6, 8 (Success x 2 at target 6)

[Sorrow] 1c -5!
Dice Rolled:[ 6 d10 ] 1, 2, 2, 3, 5, 7 (Failure at target 6)

[Phlegethon] Hit Roman!
Dice Rolled:[ 7 d10 ] 2, 2, 2, 6, 7, 9, 10 (Success x 4 at target 6)

[Phlegethon] Damage!
Dice Rolled:[ 9 d10 ] 1, 4, 5, 6, 7, 7, 7, 8, 8 (Success x 5 at target 6)

[Roman Turner] soak
Dice Rolled:[ 6 d10 ] 1, 4, 4, 6, 8, 8 (Success x 2 at target 6)

[Roman Turner] 1a claw
Dice Rolled:[ 6 d10 ] 1, 1, 1, 2, 3, 5, 10 (Failure at target 6) Re-rolls: 1

[Roman Turner] 1b
Dice Rolled:[ 5 d10 ] 3, 4, 4, 5, 6, 10, 10, 10 (Success x 4 at target 6) Re-rolls: 3

[Roman Turner] damn
Dice Rolled:[ 11 d10 ] 1, 1, 3, 4, 4, 4, 5, 7, 7, 10, 10 (Success x 2 at target 6)

[Phlegethon] Soak!
Dice Rolled:[ 7 d10 ] 1, 3, 3, 3, 4, 6, 6 (Success x 1 at target 6)

[Sorrow] Rage 1! Claw!
Dice Rolled:[ 11 d10 ] 1, 1, 1, 1, 2, 3, 3, 4, 5, 6, 9 (Failure at target 6)

[Phlegethon] The oil slick twists, surges forward, arching upward then forward, washing toward and over Sorrow expanding to attempt to swallow her bulk.

The smell is noxious. It is not only oil. It is river poison. River foetid remains. Poisoned fish and rotting seaweed.
Dice Rolled:[ 7 d10 ] 2, 3, 4, 5, 6, 6, 10 (Success x 3 at target 6)

[Sorrow] Stamina!
Dice Rolled:[ 6 d10 ] 2, 3, 4, 8, 9, 10 (Success x 3 at target 6)

[Roman Turner] 1r claw
Dice Rolled:[ 8 d10 ] 2, 2, 3, 3, 4, 5, 8, 9, 10, 10 (Success x 4 at target 6) Re-rolls: 2

[Roman Turner] damn
Dice Rolled:[ 11 d10 ] 1, 2, 2, 4, 4, 6, 6, 6, 7, 9, 10 (Success x 5 at target 6)

[Phlegethon] soakity soak!
Dice Rolled:[ 7 d10 ] 4, 6, 6, 6, 7, 8, 8 (Success x 6 at target 6)

[Sorrow] Rage 2!
Dice Rolled:[ 11 d10 ] 1, 1, 2, 2, 2, 3, 3, 6, 6, 7, 8 (Success x 2 at target 6)

[Sorrow] Damage!
Dice Rolled:[ 9 d10 ] 3, 4, 4, 6, 6, 6, 6, 8, 8 (Success x 6 at target 6)

[Phlegethon] soak-soak-soak!
Dice Rolled:[ 7 d10 ] 2, 4, 5, 8, 9, 10, 10 (Success x 4 at target 6)

[Phlegethon] Sorrow is swift, her ancestor giving her muscles and sinews that added bit of accuracy. She tears great chunks of poison and oil from the beast. It is not merely congealed liquid. There is a solidity to it. A mismatched bone structure. As the Fenrir tears chunks of foetid and congealed mess, she sees the flash of a licence plate, the sheared face of a discarded doll, its hair a mess of gunk and grime.

Her next blow misses. A grumble in the back of her mind, her ancestor's disappointment. The monster-beast lashes out, its mass gathering to create weapon like a club, roundly smacking Fate upside the head. Where the blow hits, he can feel his skin beginning to scald, blisters raising and bursting, painless due to his gift.

Fate slashes and misses, slashes and hits, tearing a small measure from the thing. Sorrow strikes again, and misses. This time her ancestor's response is a snarl, the shame of it, or perhaps the frustration stoking her rage higher.

The oil slick's centre of balance shifts, rolls and slides. Its bulk stretches. Expands and explodes, surging forward like water pouring from an open drain pipe. It swallows Sorrow whole. It sucks the air from her lungs. Fills her nostrils, her mouth if it is open. Blocks her eyes. She sees nothing. Feels no air. Breathes no air.

She feels her fur singe, her skin hiss in irritation, but nothing yet penetrates. She attacks once more, her claws catching, hitting and tearing, but ultimately, remains trapped within her bubble, suffocating, blind and surrounded by poison.

The fire elemental's flames have lit bright again, orange, blue, white. It rolls toward the battle, surrounded by air gafflings making faint sounds, alternating between fear and support. Behind them, in the lake, the water flashes blue as the water elementals fight to keep their foothold.

[Roman Turner] He let loose with a howl of pure fear mixed rage when Sorrow was swallowed whole. Pass experience had taught him that things swallowed sometimes burst back out, but who had room for that kind of thought? In the same moment he howled he dove in with claws flashing.

[Sorrow] Trapped, sightless - surrounded by filth and foul disease - and there is a surging moment of panic underneath the rage. Some image in her mind - the La Brea tar pits - statues of long dead dinosaurs sunk in the bubbling ooze, the white hot heat of a California summer day, trailing behind and staring at the oozing, potted filth as the rest of the family surged forward, looking for ice cream.

That is a flash; mostly, she is a beast. Mostly: Sorrow is a monster and she gathers herself to surge forward, rending again and again, sight and sound lost. Just filth, and darkness, and the strain of her body of air.

[Sorrow] [+8]
Dice Rolled:[ 1 d10 ] 4

[Roman Turner] Init +8
Dice Rolled:[ 1 d10 ] 5

[Phlegethon] Oilslick +7
Dice Rolled:[ 1 d10 ] 8

[Phlegethon] Firedude!
+5
Dice Rolled:[ 1 d10 ] 10

[Phlegethon] Oil slick - 15
Fire elemental - 15
Fate - 13
Sorrow - 12

[Sorrow] Sorrow: 1. Fight free! Rage 1: Fight free! Rage 2: Fight free!

[Roman Turner] 1a claw
1b claw
1r claw

[Phlegethon] Fire elemental: BURN!

[Phlegethon] Oil slick:
1. SQUEEEEZE
2. Hit Roman

[Phlegethon] Squeeze damage!
Dice Rolled:[ 8 d10 ] 2, 3, 4, 5, 6, 8, 8, 9 (Success x 4 at target 6)

[Sorrow] Soak!
Dice Rolled:[ 6 d10 ] 2, 5, 6, 7, 9, 9 (Success x 4 at target 6)

[Phlegethon] Spirits are creatures which do not follow the rules that the Garou have set down. They do not have the same value of life which others might, they, creatures who reform repeatedly after death.

They do not care as much for the sacks of meat, even when sacks of meat come to their aid.

HELP ME!

The cry is not for Fate, but for the air gafflings, a peremptory command. The airt spirits dive downward, their air fuelling the fire, which grows hotter by the second. The very air begins to shimmer. The heat is excrutiating.

Fate's fur catches fire.

Then the oil slick does.

(six damage. to both Roman and the oil slick. Soakable)

[Phlegethon] soak
Dice Rolled:[ 7 d10 ] 1, 3, 3, 4, 6, 9, 10 (Success x 2 at target 6)

[Roman Turner] soak
Dice Rolled:[ 6 d10 ] 1, 2, 3, 4, 4, 6 (Failure at target 6)

[Roman Turner] Chicken Fried
Dice Rolled:[ 2 d10 ] 2, 5 (Failure at target 6)

[Sorrow]
Dice Rolled:[ 7 d10 ] 1, 1, 2, 3, 5, 6, 6 (Failure at target 6)

[Sorrow] WP
Dice Rolled:[ 5 d10 ] 5, 6, 7, 9, 9 (Success x 2 at target 9)

[Sorrow] +2 Str
Dice Rolled:[ 9 d10 ] 1, 1, 1, 3, 4, 5, 7, 7, 9 (Failure at target 6)

[Phlegethon] Action change, as Roman is now on the ground! Also, fire is scary.

Blast fire!
Dice Rolled:[ 7 d10 ] 1, 2, 2, 5, 8, 10, 10 (Success x 2 at target 6)

[Phlegethon] soak!
Dice Rolled:[ 5 d10 ] 2, 5, 8, 9, 10 (Success x 3 at target 6)

[Sorrow] Rage 1: Break free!
Dice Rolled:[ 9 d10 ] 2, 4, 5, 5, 7, 8, 9, 10, 10 (Success x 5 at target 6)

[Phlegethon] x_x

[Sorrow] Stamina!
Dice Rolled:[ 6 d10 ] 1, 4, 5, 6, 6, 7 (Success x 2 at target 6)

[Phlegethon] Sorrow feels the thick viscous body tighten around her like a vice. She feels something hard press against her body, straining against it, fighting against it. She feels it ease, then feels the vicious heat, scalding her even through the monster's coating.

The beast shudders.

It is all that she knows.

--

Fate dives at the monster, his claws bared, his throat raw with his howl. From the corner of his eye, he sees an orange burn, a bright orange light. Perhaps he feels relief that the fire elemental has joined the fight. Perhaps he thinks nothing at all, except that it is growing hot, as if the very air might catch on fire.

Then his fur does. He's alight, burning, scalding, his lungs searing.

He falls...

In the darkness, he feels his body surge, fighting against the dying of his neurons, of his cells. He feels a spark of life - but it is only just enough. It keeps his heart beating. Keeps his lungs moving. Nothing else. Not even consciousness.

The water laps higher than it had, slowly seeping up onto the shore, extinguishing the flames and subsuming him until only his mouth and nose remain above the water. He is human-formed now, just a boy, covered with burns that no one would ever survive.

--

Sorrow fights again and again to free herself, her lungs screaming, her eyes filled with poison. Suddenly, all around her, the beast shudders. The monster suddenly loses its cohesion, spilling down all about her, oil and poison, a bicycle tire, an old tennis racket, the strings gone. A single tennis shoe and a twisted Barbie doll. A toilet seat and plastic bags, utensils and an old camping cup. Plastic and debris sticks to her fur. Oil and toxin and poison.

Pain knifes through her chest like a blade. Her heart seizes, clamps down and her vision goes black. She feels her organs clench themselves raw, vomit rising in her throat.

(3 agg - poison)

[Roman Turner] The tips of his toes bobbed, just sticking out of the dirty water. There where his belly would be was an old bike tire with a plastic Wal-Mart bag tangled around it. Up further part of his face just broke the surface as it rose and fell gently with the lapping of the water. What a way for a kid from Kansas to end up.

[Sorrow] Everything is absent. Just blackness, this noxious poison and utter darkness all around. Sorrow's lungs are screaming for air; her body, her blood, her beating heart. Maybe breathing doesn't matter here in the umbra, where she's spirit in a sack of great and hair meat, but her body remembers the motion of it, all reflexive. She pushes and there is no given, just this impression of heat against her body, through the vicious fluid and all the trash suspended within, like some makeshift skeleton, all the detritus that could be consumed from the boggy bottom of the polluted river. She pushes and there is no give, as if she were fixed - she thinks of the tar pits again, a flashing image, and them concrete wet, fixing slowly dry. The ancestor spirit joined to her is raging, snarling impossibly creative curses in a language the folds of her mind remember only now, because he is here, enervating them, displacing that which is essentially her with that which is essentially him and then -

- there is no more coherence. The thing dissolves in a great flood of trash and poison, her eyes are streaming, her chest is burning, she has breathed and swallowed the viscous black ooze, and now the Crinos beast staggers forward two half-steps, retching onto the ground, and thin stream of black bile. The sight is absolutely incongruous - the massive warformed Garou heaving its shoulders, handpaws on its thighs with a decapitated barbie doll caught in the fur of its ruff by one twisted hand.

When the world returns, when the first wave of nausea has receded, Sorrow spins in a great arc, searching for Roman -

- and spies him, human-formed, bobbing in the water.

Fuck!

The curse is human. It's thoughtless, shot through with a spike of rage that blisters her throat as surely as the poison she breathed and swallowed did. Without thought, she scrambles down the bank toward the river, wading until she has to shift to Glabro to swim toward the boy.

She does not know whether he's unconscious or dead.

[Phlegethon] He's alive. She knows before she even reaches him. She can hear the harsh sound of his breathing, laboured and rasping through seared nostrils and mouth. His skin is blackened and weeping serum from breached blisters.

If he were human, he'd be dead by now. As it is, he is just barely alive.

The water of the river is rising, washing over the oil, sparks of blue and brightness as water elementals begin to cleanse, bubbling softly to each other. The fire elemental has retreated backwards slowly, but makes a command of the air spirits. Their numbers are diminished: they had been giving their energies to the greater jaggling, and many have faded away. Still, those which are left begin to dive toward the oil slick, their bodies pulsing with effort as they begin to cleanse as well.

The water begins to wash away the poison from Sorrow's skin, causing the oil and poison to slowly seep around her. Blue illuminations begin to intensify about her as the water elementals set to work - on the water, not herself and not her packmate.

Her heart misses another beat. Her organs seize once more. Blood has begun to mix in with the oil, weeping from her pours, dripping from her mouth.

(one additional agg)

[Roman Turner] His legs were slightly apart. Both arms were limp, slightly spread like his legs as he gently rocked in the water like a forgotten fishing bobber. If his cousin could see him now she would swear he was Chicken Fried, only they forgot to dip him in breading first. He was a burned up mess that kind of looked like it might of been human once. Kinda looking like when a hotdog falls off the grill in to the flames and bubbles up, charring. Somewhere in that mess a heart struggled like a trapped butterfly on it's last leg.

[Sorrow] This is what she feels - just the stutterstep of her heart, the way her stomach turns, the background of nausea as her organs fail, as her body weeps blood. She breathes out a fine spray of it as she struggles through the water to Roman's body. The sound of his breathing - close now - is enough to spike through the rage burning under her skin. She grabs him by an ankle first, skin sloughing off in her hands like paper from the burns.

Turns him like that until she can slide one arm under his right shoulder, holding him across her body like a lifeguard as she turns back and kicks off toward the shore, swimming through the water as the elementals begin cleansing - the water, the river, the droplets of oil scattered with the death of the beast.

Not them.

At the river's edge, she pulls him and pushes him up onto the muddied shore, and ducks under the water once before rising again. The pain is distant, blood is slick on her forearms, her hands, it weeps from the pores of her face, fills the back of her throat, mixes with the water and is washed away.

Sorrow spits out another mouthful of blood, and starts to haul herself from the river onto the shore, keeping herself between the Ragabash and the retreating fire elemental. On the shore - on all fours - she takes a moment to gather herself, breathing heavily, feeling the way her body is slowly breaking down.

[Roman Turner] He gained weight when he was hauled up out of the water to lay like a charred rag doll in all it's bubbled, cracked, burned flesh glory. What was left of his hair was sticking up in tiny little patches on his burned skull. Faint wet sounding breaths rattled from between blistered, cracked lips.

[Phlegethon] The water sparks blue all around them, great washes of it, brilliant enough to blind the eye for a moment.

Sorrow leaves the water, oil and blood dripping from her as she does. She is not yet clean, but is cleaner than she was. The poison leaves her woozy, her breath coming fast and deep as if she cannot quite get enough oxygen. Vertigo assaults her, the ground seeming to move beneath her feet.

She stays between the fire elemental and the Garou. The fire elemental has receded almost entirely, starting to slide away from the water and everything it hates.

The water has completely covered the remains of the oil spill. Their efforts to cleanse, to heal the land and ground turn the water a brilliant and vibrant blue around the source of greatest taint, the body itself.

The effects of the poison appear to be slowing. It has been seconds, and she feels no worse.

[Sorrow] Gnosis!
Dice Rolled:[ 4 d10 ] 1, 5, 6, 8 (Success x 2 at target 5)

[Sorrow] There she remains for another half-minute, the world spinning around her, water streaming from her hair. She looks like some monstrous, pre-historic version of a human woman assaulted by a child's toy. The broken Barbie doll is still tangled - now in blonde hair, long in this form, wiry and coarse, too. Vertigo is as unfamiliar a sensation as nausea; she blinks a half-dozen times, keeping her gaze trained on the ground between her hands, until the spinning stops well enough for her to shift her weight, to settle against the bank.

The handful of talens she has are tucked behind the rubbermaid containers in the old Eagle packhouse, in a brown corduroy messenger bag. The water glows turquoise - like some tropic island, like the glittering Mediterranean waters around Majorca - and the oil slowly disappears under the surface of the water.

Sorrow scoots further down the bank, dipping her feet back into the water. With a faint hum in the back of her throat, the subtle glow of the earring against her pale skin, the world reorients itself again, every sussurrent whisper has meaning, here.

Usually, she listens. To the wind and the rain, or the song of the sky, the chatterings of lunes: listens.

Then: more than her ankles. Sorrow slips back into the water, standing thigh deep now. Her clothing is already soaked, both soaked and befouled. She reaches down and cups her hands, pulling them up dripping, two palmfuls of water seeping back into the river between her closed fingers, the slaps the surface lightly until she has the attention of one of the efficient little gafflings cleansing and healing the poisoned waters.

"Heal him." That's what she says, her low voice ringing, gutteral in this form, spirit shaped. Even if Roman were awake, he would not understand the words. "I am she who offers sorrow and this is Fate. Heal him. We came to your call, we fought to save the River, the two of us, Fenrir and Child of Gaia. The air spirits came to find us on the other side, and we felt the breeze and we came across, and we ran to your aid. We came, and we fought, and we fought with you to destroy it.

"Heal him, please - hear me. He lies here because he came to fight for you."

[Phlegethon] "Here," bubbles the gaffling. "Bring it here."

It is all that it says. If Sorrow, now Kora, complies, it bubbles quietly to itself, a low slow murmur of sound as it slides over Roman's inert and scorched body. It whistles softly to itself as it caresses over his face, causing the unconscious boy to sputter and cough.

After a moment, the creature flares bright blue, the colour of the spirit world, the colour of gnosis as it is spent or used.

It does its, wee thing.
Dice Rolled:[ 3 d10 ] 4, 5, 10 (Success x 1 at target 8)

[Phlegethon] The wounds close briefly, just slightly and the gaffling makes a sound of disappointment. It floats away. Perhaps Sorrow thinks it to have abandoned them.

Moments later, though, it has returned, the water moving with a greater disturbance. The gaffling is bubbling and babbling explaining to the jaggling as it tug-pulls-cajoles it over. The jaggling pauses, but does not move immediately.

Its body shapes itself to a head-like apparatus, lifting out of the water, its own liquid cascading down like a waterfall, cycling back up as if it were a fountain, as if it were driven by anything but its own weight. It has no eyes, but it appears to be studying the burnt and damaged Garou.

"Things of mostly water will stay still." As if Kora were about to move him.

Blue glows bright and sparks and the surge of water shifts, cascading over Roman's body, down, then up again, to fall again.
Dice Rolled:[ 8 d10 ] 1, 2, 2, 3, 4, 8, 8, 10 (Success x 2 at target 8)

[Phlegethon] Romans' skin half heals now, in the harsh pink of new flesh. The burns are raw but no longer charred. He is able to breathe more easily. He can stand, himself, his muscles gathering themselves close to the bone. The scar is fresh and visible in his skin, across the front of his shoulder, extending over the collar bone, just kissing the curve where his shoulder meets his neck. The scar is hideous, puckered and shiny with new flesh.

Only just healed of his wyrm-marks and now, Roman has scars all his own.

Kora feels her body jolt, her organs jerking and clenching within her body, a fresh wave of nausea assaulting her. The water jaggling slowly begins to sink back into the water, bubbling and burbling as it does.

"Things of mostly water will wash," it says.

[Phlegethon] (+1 agg)

[Roman Turner] When he came to it was with a choking cough. He gulped at the air and his first ehale came out as rapasy gasp.

"Kora?"

He hurt everywhere. A tub of aloe would no help this kind of pain.

[Sorrow] "Thanks," Kora manages, as the jaggling begins to bubble back. "Thank you - " in the wake of the gaffling too - indistinguishable from the rest by now, as if human courtesy mattered to these things.

Roman's floating now, breathing, sputtering back to consciousness. They are both standing in water up to their waists, perhaps deeper. He is floating on the surface, and she holding him against her body, but releases him when he comes to consciousness, turns bends over, coughing as the poison asserts itself against her body, turning it back against itself.

"Hey kid," she says when Roman wakes up. "The monster's dead. And we're still alive. Wash yourself off - " she is a bloodied mess, blood is weeping from her pores, dripping down into her eyes. And she turns away to spit another stream of blood from her mouth. "In the water when you've got your bearings. Then we're going back, okay? We'll need a rite of cleansing, too. But first, wash."

Once Kora is certain that Roman has his bearings and his feet she ducks back under the surface of the water, scrubbing whatever she can of the oil from her body, taking a mouthful, spitting it back out, again and again as if she were rinsing with mouthwash.

[Roman Turner] There wasn't going to be scrubbing going on. He might go under the water, but he wasn't going to touch those burn scars because they hurt worse than the worse sunburn already and moving just pulled the skin that much tighter

He was still kind of out of it, managing to slur out.

"What happened?"

[Phlegethon] They begin to wash the oil and poison from their skin. Around them, the water spirits begin to bubble and burble, gathering around as blood and foetid blackness begins to slough off Kora's body.

Blue flashes bright around them, the water around them bubbles and boils without heat. The blood and oil, the poison, the foetid clumps of what is best not thought of - it all begins to fade away.

Still gravely injured, blood dripping from her body, Kora finds the nausea easing a little, the vertigo fading away. The poison washed from her skin and she is no longer assaulted by it.

Later, the spirits all begin to fade away, less now than there were before. Some have faded away entirely in the efforts of cleansing the river, their energies expended. Those that are left return from whence they came, carried by currents throughout the river.

[Sorrow] She comes back up for air, water sluicing down over her face and hair. Here and there, droplets of blood comingle with the water, tinting it pink. "I don't know what happened," she says, more than a little bit breathless now. "I was swallowed up by the spirit. I couldn't see anything, couldn't breathe, couldn't hear. I just shoved through. Once, I felt this blast of heat through the - the filth, the foulness, yeah? When I came back out, you were floating in the river, all burned up.

"C'mon," they're cleansed now, she's at the water's edge, closing her eyes against a lesser wave of nausea, or the memory of the unfamiliar sensation, breathing through her nose, water coursing down her body. She plants her hands in the muddied bank and pushes herself out of the water, turning to offer Roman her hand. " - I'm going to feel this soon. I'd like to be someplace rather more safe when that happens."

It Wouldn't Have Mattered Anyway.

Posted: Tuesday, July 27, 2010 | Posted by Mei | Labels: , 0 comments
[Slaughter] One day, during some silence between some innocuous conversation, likely at a pub or a bar over heavy beer, or perhaps after Sorrow has cleansed her of her taint, a ritual in which she does not feel anything, not before or after, but commits to religiously now, despite years of carelessness.

They put up a marker for him, didn't they? the sentence half finished, missing it's finer details. She tacks on an addendum: For Kemp. In the caern.

When the affirmation comes, the red-haired kinwoman pauses, stilling. Her jaw tightens a little, the tendon flexing. I'd like to visit it. Briefly. A pause, her mouth tightening. She dislikes this - something about it, perhaps the fact she visits a grave of someone she knew as nearly a child, perhaps that she must ask for permission to go at all. Perhaps all these things. Perhaps none of them. Will you ask permission for me?

Sorrow, apparently, agreed. Permission was granted from the massive Warder or perhaps one of his guardians. Maybe the Garou even know her name, the once(or still)-mate of an Adren now-an-Athro. A kinfolk with kills on the pole. Maybe they don't. The request is small and perhaps even understandable.

--

Late evening, Imogen in the driver seat and Kora in the passenger's. She pulls up onto the gravel near the chain link fence which surrounds the docks. The drive has been silent, the cheap and tired Volvo which she uses rattling and shuddering with the weight of the engine, the air conditioning pushing lukewarm air in their direction. She cuts the engine with the turn of a key, and gets out, but pauses. She walks around to the trunk of the car, fitting in the key to pop the boot. It is deliberate, her actions. She removes her gun. The holster and sets them deep inside the trunk. She removes her cigarette case, her lighter and puts them down before closing the lid firmly and turning to Sorrow.

"No hall pass required, is there?" her question is sardonic and not quite mirthful though her mouth twists. "Just walk in, do we?"

[Sorrow] The heat has returned. Day gives way to dusk, filling the steaming streets with shadows that offer absolutely no relief from the baking, omnipresent heat of the failing day. Here, at the edge of the lake, amongst the old industrial dockyards, in the shadow of the great office towers and condo developments and high-rise hotels that cluster around the groomed, reclaimed lakefront at the city's heart, there's a breeze that stirs through the rusting dockyards, but no relief from the heat.

The contrast between the lukewarm soup of the barely functional air conditioning and the honest heat of the evening is sharp, almost pleasant. Outside the cage of the car's frame, at least the air moves.

Sorrow is quiet. She has a way of being quiet that suits her, a certain reserve at odds with the bite of her rage and the reputation of both her tribe and her moon. Quiet during the ride, quiet as they exit the car, the distant sounds of the city broken only by the snap-shut of the Volvo's door in its frame.

Arms crossed loosely over her torso, she watches as Imogen divests herself of worldly things. The gun and the cigarettes. The lighter. The holster. She says nothing, her dark eyes on Imogen's hands as she tosses in the lighter after the rest, and then on the sketch of horizon visible between the barriers leading to the dockyards - through the fence marking the bawn, or the fence of some neighboring derelict, out to the smoky darkness of the lake.

"No," she answers at last, when Imogen is ready, stirring herself from the halfslouch she affected against the frame of the car. There's a faint curve to her mouth, but otherwise her mien is sure and it is serious. " - though you'll need to get a key if you need to use the restroom."

With a tip of her head toward the chainlink fence, Sorrow starts off toward the bawn, searching out one of the rents hidden inside the diamond pattern of the rusting chainlink. In the middle of all this - one of the guardians has appeared. He's a tall young man, his frame not yet filled out as the massive warder's - the bristle of a grown-in beard darkening his cheeks.

He was young, once.

The guardian doesn't block their path; he doesn't make a challenge. In fact, he reaches to drag a chunk of metal and a ruined tire from the nearest break in the fencing, then holds back the links so that Imogen can duck through.

[Slaughter] She pauses briefly before entering. A moment's hesitation. Then she ducks - though she barely needs to with her height, one hand lifting to touch the bent back section of fencing to hold it for herself. "Thank-you," simply to the Guardian before she pauses, waiting for Sorrow to make her own way through.

She does not need to be directed. She knows the way.

And so she goes.

[Sorrow] This is simple. Imogen gives the strange young man her thanks. Maybe he isn't strange. Maybe she remembers him, the shadow of his face when he was younger, still visible underneath the bones and muscles of this one, changed, grown. Maybe she doesn't remember him; any of them, the Guardians who confine themselves to this twisted circuit of metal and broken concrete, the hard flats near the water's edge, the creeping, twisting, vining sort of plants that are the first to grow back, to put down shallow roots in the barest portion of soil.

He remembers her, though. His eyes are on his face, and his eyes are serious. "You're welcome," he says, holding the fencing back for Sorrow who comes after. For Sorrow, who is tall enough that she has to duck to make it through. The tines of the fence catch and pull at the twisted mass of her hair as she twists underneath, loosening the haphazard knot in which she wears it without pulling it free.

Another night, and she might give the guardian a hand with the monstrous old tire, with the scrap metal designed to conceal the entrance into the bawn. Tonight, she just falls into step beside Imogen, her long arms loose at her side, quiet as they pass through the shadows cast by the old hangers and warehouses, heading toward the raw patch of earth torn up from the tarmac, where the graves are.

[Slaughter] The Grave of Hallowed Heroes has many fresh burials this year, mounds of disturbed dirt which have not yet fully settled back into the earth. Fresh markers which are not at all weathered or worn. Even the oldest of them are barely six or seven years old. This caern is young, for all that it's seen its share of loss.

It is a caern of sacrifice, after all.

The grave they seek is not truly a grave at all. There is no mound of dirt settling slowly around a corpse. There is a charred section of hull - a curved piece of driftwood with ash clinging to its grooves. A metal carved shield, a plaque upon it, glyph work wrought into the metal. It is kept clean, but unadorned. No flowers, no trinkets beyond what is used for his marker.

Imogen tilts her head toward it, an eyebrow arching in silent question. Her eyes are dry, her mouth set steady, her jaw tight. There is little revealed in her but a thrum of tension.

When Sorrow confirms that the kinwoman is correct, this is the grave, she moves toward it, her footfall near silent on the hard parked earth between the graves.

[Sorrow] There's nothing else there. Humans bring flowers to adorn the lush, parklike expanses of their grave yards, rolling hills and old old trees, marble markers crowded into the city. Sometimes they bring plastic flowers: everlasting, if slowly fading from the sun and the wind and the rain, the work of time and the elements clear. There is an irony in this.

Sometimes they bring stuffed animals, the plasticine, unnatural fur and synthetic stuffing moldering slowly outdoors, mildew eating the fabric from the inside out, except for the most indigestable of the plastic bits at the core of it, the shiny plastic thread used to whipstitch the arms onto the body.

There are no humans buried here, in the raw earth, waterlogged from the nearness of the lake. Just a handful of changing wolves and their kin.

The sun is failing now, somewhere beyond the horizon in the west. The sky is streaked with patterns of pink and orange, the edge of a bank of cumulous clouds deep in shadow except where the last rays of the sun set it on fire. The moon is rising, too. Somewhere in the east, now, low and fat on the eastern horizon. The air is so humid that there is a fuzzy halo around the moon, and her reflection in the otherwise quiescent waters of the dark lake is an impressionistic blur.

Sorrow tips her head once, confirming. That's it. That's the marker, the ash-hardened spear of driftwood, the plaque, the empty square of hardpacked earth. They gave his ashes to Maelstrom, so there is not even that dubious comfort. Just this: spare and empty, clean.

Imogen is a vibrant thing against the grays and browns of the tarmac, the industrial wasteland turned holy place. Sorrow watches her a moment, her mouth still, her body taut underneath her worn clothing, then glances away, at the lake, the reflection of the moon cast across it, giving the kinswoman a measure of privacy.

She's silent now, Sorrow.

Here, it has a different cast.

[Slaughter] She is a series of contrasts. Pale hair, dark eyes. Bright, brilliant hair. Her skin like alabaster, her eyes like midnight. Her hair, indescribable.

It is a city caern around her. She does not fit. The grey and browns, the sharp industrial edges, the decay and disrepair. Imogen a bright spot, and remote with it, as if the concrete and grey cannot touch her.

Sorrow looks away, giving her privacy. It does not matter, not really. Imogen would be the same, whether she were watched by a thousand eyes, if she were watched by one; if she were watched by none. Her expression is controlled, her body tensed as a bow-string. Her eyes lower to the items that mark the so-called grave. Not even a grave at all, merely a marker. A memory so his name won't be forgotten.

At least, for as long as the glyphs remain visible. For as long as someone who lives remembers to keep it clean and free of debris.

She sinks to a crouch, silent, and reaches out, not to caress the items, but to briefly brush away an enterprising weed, her fingers curling around it to pull it from the ground. After a moment, she gets to her feet and steps away.

[Sorrow] "I bring eggrolls sometimes." Sorrow's voice is low and controlled. It's an instrument: of a different sort and type than Imogen's, but an instrument nonetheless.

She is a storyteller; she keeps the memories of the place inside her, in her bones, under her skin, in her mind, and returns them on nights like these, when the moon is full. In an hour or three, when the sun has gone well below the horizon and night is full upon the land, the moon will be high in the vault of the sky, struggling to compete with the constant glow inside the city, but casting rich veins of silver shadow out here, where the abandoned land flows long and flat into the lake, the memory of the plains sharp closest to the expanse of the lake.

When Imogen turns away, stand up, the wilting remains of an errant weed curled between her fingers, Sorrow, who is looking at the moon and feeling her pull, tidal, in her blood, underneath her skin, within the spongy marrow of her bones, says, I bring eggrolls sometimes. It's quiet, her voice. It doesn't crack, though.

"Crumble them up, and scatter them. The birds come and eat them. Or other things." This is a story. The Skald's hands are in her pockets. They're killing hands, long-fingered, blunt-nailed, finely jointed. "The odd Coke. I figure, they won't have those things in Valhalla. He'll have to learn to drink mead." A moment's pause. Sorrow offers this sketch of the afterlife, and it is a sketch - skeletal - not with the reverence of a human believer, but rather with a sort of mournful solidity, the conviction of someone who knows the world is round because she has sailed its courses all the way around.

"Has learned, already, I suppose."

[Slaughter] She holds every muscle and ligament in perfect tension. She gives not at all, and tightens no more, keeping herself in an exact equilibrium, taut and still.

Sorrow speaks, and Imogen turns her head to look at her, her gaze reserved, remote as she looks at the Fenrir, the Skald.

"I thought perhaps I might bring somethin'," she says after a moment. "But nothin' came to mind." Her breath exhales sharply, on the edge of a scoff. "It wouldn't ha' mattered anyway."

A tight pause before Imogen tilts her head sharply back toward the marker. "Do you want a moment?" This kind of thoughtfulness in her is rare. It is in her to simply start to leave as she wishes. She would have done; if it hadn't been for the egg rolls and coke.

[Sorrow] Imogen breathes out, sharply. Sorrow breathes out. It's different; it's nearly a laugh, a certain release of tension that is not mirthless. The humor, though, is this remote thing, underscoring the shape of her words, the movement of them in her mouth.

"I'm good, Doc." Her hands are in her hip pockets, her narrow frame sketched out against the dark of the horizon, backlit by the glow of the low-hanging silver moon. The heat lingers here, captured by the pavement to radiate well after the sun has gone, and the air buzzes with summer insects. Here and there, the shadows are studded by the golden glow of fireflies hanging low in the air - some last gasp of courtship ritual, before death comes.

Turning away from the lake, she falls into step beside Imogen as the kinswoman turns to leave. "I don't know, though. Maybe it does matter, yeah?" Sorrow's tone is mild, her voice rich. It's not a contradiction, just slow. Musing-quiet. "My ancestors come back to me. Sometimes they speak to me. Sometimes I dream their stories. Sometimes they live in my skin, guide my hands."

The Skald has fallen into step beside Imogen. They're walking away from the graves, if Imogen wants to walk. Back through the ruins of the Caern, the warehouses and the hangers, the flat concrete buildings that look like bunkers, their original functions a mystery. Back through the ruins of the ships, rearing up from the flat lands like the himalayas out of the Tibetan plateau, sudden and jagged.

"So maybe it does matter," this is conversational, and Sorrow's voice is provisional. She says maybe as if it were a thing-in-balance, subject to weights and measures. " - some act of memory made concrete. Like an echo."

She's quiet then. There's an underlying tension. The moon in the sky, the rage in the air: but memory is the work of her moon. Writing the dead back into the world and Sorrow engages it with a bone deep seriousness that lingers in her even after - now, quiet, tense with memory and awareness of the kinswoman walking beside her.

[Slaughter] I'm good, Doc.

With that, Imogen turns away and starts away from the Grave of Hallowed Heroes. She does not look back.

Sorrow ruminates, and Imogen is briefly silent, before finally, saying quietly, simply: "I hope that gives you comfort."

She walks back toward the the caern opening, pocketing her hands in her jacket.

[Sorrow] This earns Imogen a look: dark-eyed, sidelong, the lift of her chin animal, the gleam of light across the surface of her gaze feral as they walk. Quiet, still and contained, with her hands in her pockets still and her body moving underneath, the sweep of her gait as she walks - just so.

Then, "Thanks," and she is looking way. The fencing circling the bawn, the city beyond the shadows, ablaze with light. There's a breeze from the lake, full of the scent of vegetal rot and exhaust fumes from pleasure boats out humming in the dark. Then: the ritual. Finding the rent in the face, the place where the links are split, where the barrier zippers open as she tucks her hand into the diamond weave.

The guardian is there again. Or still. It is dark and he is pulling something heave on a make-shift sledge created by lashing together an old wooden shipping palet with nylon ropes. Height of Mountains stops, silent, and gives Sorrow a hand rolling the giant tire away from the exit. He pulls the chain links back for Imogen again, quiet.

[Slaughter] This time, she exits the caern without a word. She breathes a little more easily in the open air. Out of the mystics and holiness of the Garou's sacred place. Her eyes shut briefly, before they open and she heads toward the car.

A pause at the trunk to unlock it and lift the lid. She arms herself again, and gathers the accouterments of her nicotine addiction, before walking around to the driver's side. The doors were left unlocked. No one would dare steal a car from this close to the bawn, even if they don't know why.

She starts the engine and rolls down her window. A pause.

"I appreciate this," she says; and without waiting for an answer, puts the car into reverse and pulls away from the fence, the caern, the graves, the grave.

Hal's Diner.

Posted: Friday, July 23, 2010 | Posted by Mei | Labels: , , 0 comments
[Sorrow] Hal's Red Eye diner is an authentic 1950s diner on the corner of Camden and 75th Street. Stainless steel panels gleam in the warm evening air, flush with the orange-amber light shed by the streetlamps. Neon buzzes and glows atop the old building - which is long and narrow, sandwiched up between much older brick storefronts, built along the long, sleek lines of a railcar. "Voted Best Red Eye Gray in the northern Midwest!" announces one of the placards set forward against the glass.

That seems a rather specific sort of award.

"OPEN. 24 HRS." declares another sign, this one in neon, the cursive neon tubes gleaming in the darkness.

It is cooler tonight that it has been for several nights, the blast of air conditioning when one enter the diner is a welcome relief, still, from the humid air, the clouds of insects swarming so soon after dusk. "I dare you to try the gravy," Kora says, quiet to the shorter Roman as she pushes open the front door. She holds the door open for him through any protestations. "Told you they had good air conditioning here."

[Roman Turner] He was greatly relieved when they entered the air conditioning. His shirt was a thin as he could find, yet it felt like it held the heat of his body in far too much. Add the jeans and hat and he was cooking.

"I'll try it. I ain't scared of gravy. My ma says I'd eat anything as long as it has gravy on it."

He felt a little odd with Kora holding the door for him; still he removed his hat on entering. One hand smoothed sweat slick chestnut colored hair down in an attempt to not look like he had hat hair.

[Roman Turner] (( LOL! Sorry, forgot to hit send LOL! ))

[Slaughter] Imogen is there, leaning against the counter that dominates the diner, her fingers lightly tapping the cheap plastic linoleum in an expression of impatience.

Eventually, from the kitchen, a portly man exits. His head is completely bald, perhaps even shaved, shiny beneath the harsh diner lights. He casts a glance toward the doorway, Sorrow and Fate entering, his eyes narrowing. The man is dressed in white, an apron tied about his straining belly. Grease stains mark his front and his eyes are small, beady, his features squashed together, unpleasantly set off by weasel's teeth.

Imogen too, glances over her shoulder to follow his gaze. The Garou are glanced at, but not yet acknowledged as she turns back.

Words are exchanged quietly, punctuated by Imogen's tapping finger. She keeps rhythm. Perfect 4/4 time, for all the fact that the pattern deviates. Quarter notes, eighth notes, sixteenth.

Eventually, she lifts her hand, uncurling her fingers to press her palm downward against the envelope on the countertop. She pushes it forward toward him. She receives a paper-bag in exchange, its top crumpled to make a handle, the contents heavy, distinctly shaped.

By now, Kora and Roman have made themselves comfortable - seated themselves, or at least begun to. She turns away from the counter and scans the half empty dining area to find them.

[Sorrow] There's a row of booths against the window, and a line of spinning flat stools hard against the worn out counter. Kora chooses one of the booths and slides back into it, pushing herself back until her shoulder blades are flat against the glass and the mass of her twisted hair is compressed between the windows and the nape of her neck. She's wearing a t-shirt tonight, black with white letters, and old worn jeans that Roman and perhaps even Imogen would recognize as the clothing dedicated to her spirit, the things that change with her every time she fights.

They are clean tonight, the fresh scent of some organic, phosphate free laundry detergent. Even her hair is clean, the scent of the shampoo lingering in the fine threads.

Her first instinct is to prop her long legs up on the seat and let Roman take the other side of the booth. Then she sees Imogen looking around for them, and curls her right leg under her body, dropping the left leg to the floor. "Have a seat, kid," she says to Roman, pushing a menu across the table in his direction.

Then, almost as an afterthought, she looks up and snatches his stetson from the table top, dropping it over her own pale head. " - and why am I not surprised about the gravy? Me, I'm afraid of gravy. All gravy. White, brown, clarified - all of it."

[Sorrow] Then, with a faint hum in the back of her throat - " - hey, did you know some people call tomato sauce gravy?"

[Erika Irina Alexander] The young professional leaves behind the dingy cab with pleasure. Ever of her lineage, Erika utilizes the small alcohol-based gel in her bag and replaces the lost moisture with a similar dose of hand lotion. The kinfolk still looks out of place, but now at least comfortable.

Her attire is far more accurately judged. A snug, crisp, white tee tucked into denim pedal pushers. She checks her black divers watch and looks around the street. She spots a very welcoming diner and chooses it as her designated place to kill time before her next check-up with another client.

The frigid air greets her, and Erika seems quite relieved. She doesn't immediately notice Kora and Roman, but her eyes light up with recognition soon enough. Erika turns her head and postures herself nearby to gauge whether or not she was welcome to stop by.

[Roman Turner] He slid in next to Kora after following her gaze across the room. And there SHE stood. It was the Goddess. For a moment his breath caught and he forgot to blink. It wasn't till it sunk in that Kora was talking about gravy and tomato sauce that he blinked and looked at her.

"Well, no I didn't. That's just plain ole weird. Though I know an old fella likes to eat tomatoes cut up with nothing but sugar on them. Mashes them in a bowl, adds sugar and eats them with a spoon like soup."

When the door opened again he naturally glanced that way and saw Erika entering.

"Hey, ain't we seen her before?"

[Slaughter] "Don't try the gravy here," Imogen suggests as she closes the distance to their table, her eyebrow arching slightly. "S'likely come from dog flesh."

[Sorrow] "In Jersey," Kora confirms. " - like, they call tomato sauce Sunday gravy, or something like that." The rest of the explanation is swallowed back at Imoen approaches and cautions them against the Red Eye gravy and the potential dog flesh inside. Whatever else she was going to say dies in her throat. The Fenrir makes a faint, sour expression with her generous mouth. "Have any idea what is safe, doc? If so," the sour look melds into a familiar curl of her mouth. " - care to join us?"

Then, lifting her chin toward Erika, Kora gives the kin a sort of up-nod, inviting her back to joint their table. To Roman, lower then. "Yeah, that chick who was lost near the church last week. Some sort of counselor, right?" To Imogen, a tip of her head toward Erika, and a quiet explanation shared whether or not Erika takes Kora up on her invitation. "Kin."

[Slaughter] Imogen's mouth twists. "The coffee's not toxic," she says. "I'll gi' it that much."

Though her offering is meagre, she pulls back a chair and takes her seat, casting a brief glance over her shoulder in Erika's direction.

The kinwoman is slight, small. Her hair vibrant, brilliant, her skin pale. Her hair is back, held in place by a covered elastic band, tendrils uncoiling from a half tamed bun. Though she is dressed simply in jeans and a black-t-shirt beneath a loose fitting cloth jacket, she is too fine for this restaurant, even at a glance.

The paper bag she's acquired, she lays in her lap. "And I imagine the toast is hard to get wrong."

[Roman Turner] "Something must be good enough to order it in takeout."

He lifted his brows with a look towards the paper bag Imogen sat in her lap. The he stood up to make room and allow the other Kin (Erika) a choice of seats.

[Erika Irina Alexander] The others debate over the nefarious contents of the food. Erika watches them, then makes her way over and waits for the lovely redhead to decide whether or not she's going to have a seat. She gives a brief explanation of her presence. "Checking in on other clients," the kinfolk gives an amiable smile.

Her eyes go towards Kora, "Since I'm here, I should let you know that Victor saw me to the Brotherhood. He was a perfect gentleman." There is no subtext here, although one could certainly read more into it than necessary. "Also, I met Katherine yesterday. Am I interrupting?"

[Sorrow] "They can't screw up Coke, either. I mean, I think that's mandated, by the people who own it. How it gets served." Kora has the menu open on the table in front of her, and does not seem particularly disturbed by Imogen's assessment of the contents of the gravy or the quality of the other menu items. Erika joins them, and Kora looks up, glancing from Imogen to Erika. Her dark eyes linger on the blonde as she offers a friendly mile, and an explanation of her presence.

"Cool," Kora says, with a faint sort of hook-curve smile to the news that Victor saw Erika safely to the brotherhood, that Erika has now met with Kate. "All settled in then, yeah?"

Then, the creature's pale head swings back to Imogen. "Doc, this is Erika. Erika Alexander. Erika, this is Dr. Imogen Slaughter. Erika's a counselor for the VA or something - right? Doc's a medical examiner for the county." The faint smile deepens at the corner of Kora's mouth.

"I think I'm having a Chicago dog with everything, and double fries. And a coke." This to everyone at the table. The waitress hasn't approached, yet. She's cleaning out the ice cream cooler, scrubbing a week's worth of spilled, melted ice cream from the tracks of the sliding glass lid, doing anything and everything she can to avoid the against the window.

[Roman Turner] "I want a chocolate sundae with sprinkles and a Coke."

He was still standing there waiting for Erika to pick a seat so he could take a load off himself.

"Ma'am?"

He indicated the booth with a raised brow.

[Slaughter] Imogen and Erika are interested. The dark eyed woman studies the pale blonde, briefly, before offering: "A pleasure," she says absently. She is clearly not American, British, perhaps, or at least one of the colonies. Her accent is forever confusing Americans.

Her gaze flicks between Roman hovering and Erika perhaps on her way to sitting, perhaps still standing, an eyebrow arching.

"Think I'll just ha' a coffee," she says, mildly, smirking. "Black." No milk, no sugar. No chances.

[Erika Irina Alexander] Upon the mention of work, Erika perks up a bit more, even though she seems more lively tonight. The kinfolk offers a hand. Her handshake, if Imogen returns it is firm and professional. "Therapist, actually. Masters of Psychology at Columbia."

Roman speaks to her. She takes a seat and smiles at the teen, still a boy really. Erika continues on about her work. "Actually, I help patients assess their own trauma and adjust to home life."

[Roman Turner] "At night?"

He reclaimed his seat next to Kora. He could take the rage that close.

"You see your clients at night for adjustments to life?"

His smile was polite, as innocent as a babe in church.

"You must be committed."

[Slaughter] Imogen does take her hand - after a moment. Her fingers are cool, her grip firm. It is here that she says her words: "A pleasure" in her pleasing voice, her musical accent. There is nothing to be said about her tone, however. If anything, the politeness is automatic. Flat.

"Do you?" says the doctor in reply to the extrapolation. "How interesting."

Roman's commentary draws a cool regard from the kinwoman, her eyebrow arching at the smile.

[Sorrow] "Sprinkles? - " Kora replies to Roman, almost muttering the word under her voice. There's a sort of silence afterward that inhabits the space a word was meant to inhabit. Swinging a doubtful glance from Roman to the counter and back again. "You're going to order sprinkles on your sundae?" Their reflections gleam in the dark glass fronting the store, shadows and outlines. Erika sits, and Roman is then freed to do so himself. Kora has remained seated throughout the exchange, and her dark eyes flick from Roman to Imogen, to Erika, then somewhere beyond the kinswoman's shoulder.

At whom is clear enough moments later, as the waitress finally approaches their table. Kora orders her meal, Roman's dessert, Imogen's black coffee and then looks to Erika, waiting for an order before giving the waitress a generous sort of smile that does nothing to ward off the faint sense of ill-ease that writes itself across her heart, so close to a Garou. "Not feeling adventurous tonight, Doc?" Kora says at last as the waitress wanders away, orders in hand. Then, to Erika, " - what's the difference? I mean, between a counselor and therapist?"

Her interest is polite, only. Talking about one's problems isn't exactly the Fenrir way.

[Roman Turner] For a moment a little color rose in his face with the look from Imogen but the he seemed to take her look as something entirely out of context. He outright stared at her as if the sun had come out from behind the clouds on a stormy day. Only absently answering Kora.

"Yeah extra sprinkles."

The waitress came and he spared her an innocent look.

"I'd like sprinkles on that sundae if ya have them, Ma'am."

Then Kora asked something of Erika that had puzzled him too and he had to find focus in giving Imogen dreamy eyed looks again to keep his mouth shut.

[Erika Irina Alexander] The kinfolk listens quietly for a while. She most definitely decides against eating. Expecting even the coffee to taste of turpentine, she refuses even that. "Nothing for me," she addresses the waitress. Busily, the waitress moves around to turn in the ticket.

Sure, Erika felt uneasy around them, but perhaps her good mood allowed her to adjust momentarily to what would usually freak her out. She watches Kora and the young cowboy for a while, then wisely turns her gaze away with a slight smile.

"I'd like to think I'm more qualified. Legally, counselors aren't required to have any official qualifications."

[Roman Turner] Once again he sent a polite look Erika's way before returning his attention to Imogen. All manner of things were dancing through his head.

"I'd like to think a lot of things, only it just gets me in trouble."

[Slaughter] The doctor smirks faintly as Kora ribs her choice of order. "I've seen the kitchen. I'll stick wi' coffee, thanks."

Imogen flicks a glance to Roman to find him looking at her dreamily, the way only a crush-struck teenager can. Her mouth draws briefly tighter before she says, simply, dryly, "It stops you, I hope.

"S'a bit like bein' called a coroner, I think." This on Erika's explanation. "Vitally important t'the people who live the differences and rather - unimportant to everyone else."

[Sorrow] Seated against the window, Kora gives Roman a sidelong look as he offers the comment. The menus here are laminated handwritten relics, with tape over the old prices, the new prices written in in sharpie. Finished ordering, she gives it a cursory glace before collecting the other menus from Roman and Erika, and sliding hem back neatly between the napkin dispenser and salt and pepper shakers. Somewhere in the middle of all this, Kora tips off the cowboy hat from the crown of her own head and offers it back to Roman, her palm on the crown, the brim up as if she were taking an offering, looking for money.

Kora is quiet a moment, glancing betwen the two kinswomen as the waitress returns with their drinks - coffee and two cokes, still fizzing furious and full of ice - and a chocolate sundae matched with a whole extra bowl of sprinkles for Roman. There is a low whistle from the Fenrir as the waitress sets down the bowl of sprinkles. Only when the woman retreats behind the counter does Kora glance back at Erika. "So, the master's degree is the different, yeah?" and then, Imogen. " - does this mean, doc," the hint of a wry half-smile, " - that you are not the coroner?"

[Roman Turner] "No ma'am."

He answered Imogen giving her a wide smile when she looked directly at him like that, even if it did make the color rise in his face. His had was offered back and he accepted it to lay in his lap with a nod of thanks. The sundae arrived and extra sprinkles and he gave the waitress the biggest ole smile anyone had likely seen from him.

"Thank ya ma'am, mighty kind of ya. This looks better than I've seen in Chicago since I got here."

He didn't waste time digging in, now and then adding extra sprinkles. The A/C was helping a bit with his discomfort even though ever so often he checked to make sure his shirt was still buttoned up to the top button and his sleeves were down as far as they could go.

[Erika Irina Alexander] Erika also notices Roman's interest in Imogen. She seems amused, and says nothing to Kora's comment. She merely nods and examines her manicure.

[Slaughter] "No," the kinwoman's voice maintains a certain edge as she replies to Kora, smirking. "I am not th'coroner. But I'll spare yeh the lecture, shall I?"

The kinwoman sits straight in her chair, a paperbag in her lap. A flick of her gaze to Erika, examining her manicure.

"Bored you, have we?"

[Roman Turner] He choked and choked some more and pretty soon his shoulders started trembling. Likely Kora felt the tremble coming before anything showed outwardly other than the choking.

[Erika Irina Alexander] The redhead caught her attention. Erika shakes her head. "No, I'm just wondering where Kate got hers done. I'll have to ask her."
Erika looks towards Roman with an arched brow. She seems concerned or confused. Clearly, there is something she's not been made privy to. Ah well, the topic is not addressed.

[Roman Turner] The choking started again accompanied by swiping at his eyes. His face was flushed alright because he was righting for control that was slipping.

[Slaughter] "Clap him on the back or something," this to Kora.

"Before he vomits or something."

[Slaughter] (remove the last "or something"! Jeesh)

[Sorrow] "Thanks doc," back to Imogen, in a low sardonic voice. For sparing her the lecture. Roman is slowly losing it beside, like a bank saturated with rain crumbling onto the road below. When Erika discusses her manicure, she receives a direct, dark-eyed glance from the Skald. "I'm surprised. A manicure wouldn't last a night on me."

Maybe Silver Fangs had a different - less martial - approach to war.

Then Imogen suggests that Kora clap Roman on the back. Kora glances between the sundae and the bowl full and sprinkles and the slowly-choking Ragabash, and claps him on the back.

[Sorrow] Dex + Brawl! Dif 6

[Sorrow] Bashing damage - clapping Roman on the back!

[Slaughter] (....)

[Roman Turner] A clap on the back was just what he needed. He was still swiping at his eyes, trying to get himself under control when he turned his head to Erika and rasped out.

"My apologies Ma'am. It's just not everyday I see a Kin completely ignore a question from a True in favor of studying her nails and all."

[Erika Irina Alexander] Seems completely confused and alarmed. Something about her tenses up, looking from one to the other. "I'm sorry," she is quick to say. "I.... missed it. I didn't mean..." Erika becomes rather spooked. The blonde kin rubs at her right cheek, keeping her hand there.

[Roman Turner] "Well ma'am, it might be because ya got so intent on your fingernails there that ya became mesmerized? Miss Kora asked ya if the Master's degree was the difference because ya seemed to look down upon counselors with your comment there."

[Erika Irina Alexander] Shaking, the thirty-year-old seems more than a little uneasy. The kinfolk tries to regain her composure a bit, placing her hand on the table. She breathes slowly, deliberately, and keeps her eyes down.

"I didn't think she needed my confirmation. I meant no disrespect."

[Slaughter] Imogen's watching Erika now, her gaze intent, her eyes narrowed. There is a certain directness to the way she looks at the other woman. A sharp edged perception. There is no empathy.

Still:

"That's enough, Roman."

Imogen is kinfolk. She speaks in ways most would never dare. Not even with one so young.

[Sorrow] So: Roman is saved from choking. Kora hits him squarely between the shoulder blades with the heel of her palm, hardly enough that the impact has a sort of resonance in the young Garou's chest, hard enough to sting, but not really hard enough to do anything more than inconvenience the kid. Erika gets a spooked look on her face, and reaches up to touch her old scars. Kora glances from the kinswoman to Roman, then back again.

There's a faint curl of a frown on her mouth then; call it - thoughtful. The look isn't for Erika, but for Imogen, "Hey doc, I'm not sure I told you yet, but if you find any stray Fenrir, kin or Garou, I'd appreciate it if you sent them to me, yeah?"

Back to Erika, then, as the kinswoman struggles to regain her composure. "None taken," Kora says, quietly.

[Roman Turner] He shook his head and pushed out of the booth.

"I don't mean to scare ya or make ya start babbling. Ya should just be aware of your environment and what's going on around ya. Becoming lost in envy over another's nail paint leaves ya vulnerable."

He nodded to the group.

"Sorry to disrupt supper. There's still some ice cream there and sprinkles, help yourself."

He fished out his wallet then headed for the counter with his hat tucked under one arm so he had both hands free to pull out a bill he placed on the counter calling to the waitress.

"Mighty fine ice cream sundae, Ma'am. Thank ya kindly."

[Roman Turner] He nodded towards the group at the table as he headed for the door. Kora would see him later on patrols. For now he opened the door the heat and stepped out where he could be seen settling the hat on his head before heading off up the street into the dark.

((Thanks for the play!))

[Slaughter] "Goodnight, Roman." Mildly answered as Imogen picks up her coffee and drains it to its cooling dregs. A flick of her gaze toward Kora as she starts to get up. By now, Roman's out the door. "I'll send Fenrir to you," she says.

"And I ha' somethin' to show you, if you ha' the time." Her eyes move to Erika, "You mentioned you ha' clients to see," she notes, mildly. "I'd hate to keep you from them. Enjoy the reminder o' yer evening."

[Erika Irina Alexander] Remains quiet, hoping desperately for her drink of choice or something to keep her from having a panic attack on the spot. She fumbles for her wallet, takes out thirty, and leaves it on the table. "Keep your money. I'll take care of it."
Erika wasn't looking for empathy, not at all. She keeps her eyes down, thinking of things she buried in her past long ago. Maybe there's a reason she's gone all this time alone and filled her schedule with work.

[Erika Irina Alexander] ((Woah, delayed. Grr Stupid Jove))

[Erika Irina Alexander] Erika gladly takes the invitation to leave. She takes a breath and forces a smile, checking her watch. "Yes, well just the last for today." She takes out two business cards and gives one to Kora, one to Imogen.
"In case either of you need to contact me." One quick gaze to Kora before quietly managing, "Elder, again I'm sorry."

[Sorrow] "Sure thing, doc," Kora replies, her voice low and rich as always. She's managed to consume half her Coke, and requests the meal she ordered to go. A pair of Chicago-style hot dogs and huge serving of fries and accordingly wrapped in butcher paper and quickly stuffed into a white paper back, the sharp call-response between the waitress and the short-order cook has a certain patois rhythm to it, patterned and engaging and essentially unrecognizeable.

"Erika," the tall Fenrir offers as she unfolds herself from the booth, accepting the business card with a flick of her fingers. After a moment's thought, she scrawls a number on a napkin, offering it back to Erika to tuck into a pocket.. "My number, if you need it. I told you, I didn't take any offence. Be safe, yeah?"

Kora waits long enough for the waitress to bring her her take-out bag, sliding Erika's card into her right hip pocket, then starts toward the door,, her reflection narrow, lean and tall and pale, walking through the windows like soe movie that is constantly resetting itself.

[Erika Irina Alexander] Erika takes the napkin and leaves, pushing onwards for safety on the streets of Chicago, ironic as that sounds. "Goodnight," she says to the both of them.

Hard.

Posted: Saturday, July 17, 2010 | Posted by Mei | Labels: 0 comments
[Silence] There wasn't much warning when he left. There was the blasted silence of a splintered totemlink; there was a single painful meeting in the warehouse where he'd lived for years. Then a few weeks of silence, no contact, during which he nailed up so many bodies that the Umbra around the warehouse began to look like the Appian Way in the time of the Romans.

Then, one night, a note tucked into Imogen's door. It was simple and brief, written out in Decker's heavy, clumsy block print.

Came by while you was out. Check phone.

There's a message on her phone. It's possible she heard it before she ever saw the note. It, too, was simple and brief -- his low drawl distinctive and characteristic across the tiny speaker.

My father axed me ta come back ta Storm Hammer. Ta stay. There's a short pause. I said yeah. A longer pause; a few aborted breaths. He might've wanted to ask her to go with him. He might've decided against it. He might've wants to offer reasons, rationale; decided against that, too.

In the end, Thought you should know.

And a click.


That's it then; all the advance notice anyone anywhere got. Soon thereafter, the Barracuda disappears from the warehouse. His scant personal belongings clear out too. The shared things -- much of it scattered, hurled around the warehouse, shattered against walls and broken against concrete -- stay where they are. He locks the warehouse when he leaves, and slowly but surely, those dark elementals of cement and steel fall back into slumber.

The trophypoles stay where they are, their grisly burdens melting away to bones.


Weeks go by. Months. Then one day there's another message on her phone.

I'm'on be passin' through Chicago tomorrow night, 'bout 9pm. Meet me outside tha Caern, will ya? In the short silence, she can hear activity in the background; voices, clanging metal, rough laughter. Then, Please


When Imogen comes to the edge of the Caern, she can see Decker just past the chain-link fence. He's not alone. He's with a small cadre, men and women Imogen has never seen before. They are unmistakeably Garou, with stark faces and fierce eyes. Unmistakeably Fenrir, though some are fair and others swarthy, some bearded, others cleanshaven, some tattooed and pierced, others carven with rune-scars.

Though Imogen knows the Modi's rank is very nearly exalted now, it is not immediately apparent who the leader is. There are two in the group who look him in the eye, who speak to him and to one another with the ease of equality, which is perhaps a feeling that Silence had all but forgotten in his time in Chicago. There are four others who are clearly of lower rank. The deference is in their body language.

A small war-band, then. A group of warriors and, perhaps, their proteges. A stopover in the Caern of the Maelstrom before taking the moonbridge onward to ... wherever.

There's a sense that they're idling; waiting like passengers at a bus stop. There's light conversation ebbing and flowing. Silence has not grown any more talkative, though. He doesn't say much. He watches the borders of the Caern, this Caern his hands helped shape, this Caern where his entire pack, finally, was buried. When he sees Imogen, he unfolds his arms from across his chest and hikes up the short slope the roadside.

He looks different from the last time they met. Better. He looks lean and alert, the savageness beating under his skin tempered by a reasserted control. His hair is mowed down to a buzz; his beard down to bristles. His clothes are rough and handmade, though. Dedicated. Leathers and hides. He wears a broad belt, on which hangs a number of small talismans or trophies, their purposes obscure.

His eyes gleam in the dimness. He looks her over, and that at least is the same: slow and unashamed, taking her in.

"Hey," he says quietly. And, "Thanks fer comin' out."

[Imogen] She had parked her car in sight of the unknown men and women, of the caern, where she cannot tread though her name is writ there where she'll never see. The engine is cut, the headlights burnt out, her body silhouetted in the dim lighting of the fading gloaming as she exits the vehicle, moving to the front of the car, and there to wait, coming no closer, not calling out, not raising a hand in greeting. Her gaze lowers as the Modi approaches, dropping to the ground and then to her pockets, to which her hands stray like she might pull out her cigarettes.

Perhaps it's the location. Perhaps she's quit. Her hands fall away from her blazer, lowering to hook into the belt loops of her low slung jeans. She'd looked down first. Away. When the distance truly begins to close, she raises her gaze - and this has not changed either, much like his regard for her.

Nothing else about it is the same. The defiance, hardset; her jaw, hardset. Her pulse beating hard in her throat.

Her voice is steady, remote and like his, quiet.

"I nearly didn't." She's barely looked at him - does not look at his clothing or his face. Meets his eyes and does nothing else.

The kinfolk of Stormhammer are nothing like this. They know their place. Their duty. They accept it.

"So. Why am I here?" She means: What do you want?

[Silence] Perhaps he should be shocked by her directness, offended by her implicit defiance. The kin of Storm Hammer are not like this. They are hearty and bold as all kin of Fenrir are and must be, but they know their place, and they live it the way their ancestors have lived it for a thousand years, ten thousand, more.

He doesn't know a lot about them, though. His life now is war and battle, the rough fire-forged camaraderie of brothers and sisters in arms in the Sept that is now his. Always, before, he let his hair grow out when he went there. Wore the clothes and the beard like a disguise, as though to tell everyone, or to remind himself: this is not who I am. This is not where I belong.

Different, now. That's changed, too.

"Thought I oughta see ya," he says. "Figger out where things stand 'tween us."

[Imogen] She doesn't speak immediately. Silence cuts between them like blades. When she speaks, her voice is no balm.

"I believe a note under my door and a voicemail on my mobile already made that clear, don't you?"

[Silence] There's a brief hardening at his jawline, a flexion that squares the angles of his face. Then he lets it go, exhales with a short glance down. Back to her again, eyes the same stormy grey as ever.

"'m sorry 'bout that. Ain't had time fer much else."

It's not an apology intended to excuse, or even offered in hopes of healing the palpable rift between them. Everything about her speaks of anger turned cold and resolute: attitude and voice, word choice that he knows - know from seven, eight years of experience - is no accident. Seven or eight years they gave each other. Grown closer, grown up, changed; and finally this. Growing apart, perhaps.

There's a gulf between them right now broader than the distance between storm hammer and maelstrom; more impenetrable than that borders of this Caern, which no longer allow kinfolk within. Even kinfolk of such renown as this one, who is getting close to goddamn Cliath Ahroun status in her own right.

After a long pause:

"So that's it then?"

[Imogen] Those who've seen her, day by day likely miss the differences. There are some which are undeniable, but put to her anti-social nature. She plays her guitar less. Sings less. Visits the bars less and works more.

To him, though, who at least once knew her body and skin, her muscle, sinew and bone, who has had the dubious benefit of months of separation. Well.

She was never soft, but she's harder now. Skin closer to the bone.

She looks away. Not down, away, away from the caern, from the lake, from the unfamiliar Garou. Away from him, toward the street, the distant hard lines of squat warehouses. Her eyes are dark, nearly black now in the fading light. Her skin as pale as ever, so delicate that one might almost see the blood move, beneath. Her hair is brilliant, red and vibrant, pulled back from her face, held in place by a covered elastic band. She's dressed plainly; as if she might have been in Cabrini Green before this, in Bronzeville, muting her vibrancy as best she can by simple, serviceable clothing.

Her jaw moves as she flexes it, an ache forming in her molars, then loosens it, her hand closing as her jaw eases, replacing one tension for another.

"What do you want, Rohl?" she's not spoken his name in - she doesn't know how long. "For me to say it's over, or that I -" she cuts off, rather than hesitating. "Or that it's not."

[Silence] "I wantcha ta tell me what you want," he says. "I wantcha ta decide -- "

That is a hesitation. A sharp cutoff -- but a hesitation as well. He frowns, shifts his weight, and in that singular gesture is nearly a decade's worth of memory. He's always had that animal ease of motion. That absolute surety of motion. He's always shifted his weight from foot to foot just like that, not awkward and fidgeting but smooth, slow, with unconscious bone-deep strength.

"I wantcha ta come to Storm Hammer with me. I wantcha with me. As my mate. And I wantcha ta know that life ain't gon' be nothin' like whatcher used ta. 'r maybe even what you kin stand.

"So I wantcha decide if yer gon' come with me 'r if yer gon' stay here."

There's a pause. Decker has faced down a hell of a lot. He's killed things that should never have been born, much less be able to die. He's grown strong, grown powerful. Things that would crush the younger wolves amongst his small cadre are negligible to him now.

Still -- this is hard for him. And he has to force the words:

"'cause we ain't mates if we's seven hundred miles apart."

[Imogen] Her eyes shut briefly while he speaks. Not long, not for long at all, but for long enough to be more than a blink. To be an expression of something. Pain, resistance. Some emotion which she cannot contain with her eyes open.

They open again. They remain away from him. He finishes his hard words, his request.

"Be nothing there, wouldn't I? Just your mate, your woman. A thing that spreads my legs and can't even breed. A broken mare." The words are half introspective, so quiet they are not even directed to him. Her gaze lowers then down, forward but down still, her gaze on the ground between them. Her closed fist taps her thigh, once, twice, thrice. It isn't fidgeting, quite, but it is certainly a small symptom of her inner agitation.

"If you remembered who I am at all, you'd never think this was even a possibility." She raises her gaze.

"If you want me, you can have me here. I've lost enough."

[Silence] There's a flash of anger in his eyes -- not at her but at the words she says, the concepts: broken mare. a thing that spreads my legs. It crackles through the grey like lightning across a hurricane sky. Silence is controlled now, his rage back under the iron fist of his will, but he is not tame. He is nothing close to tame.

She's always known that. From the moment they met on adjoining balconies in a Jersey suburb; to a day in the Barrens pushing through terrain too rugged for her, though she took it uncomplainingly; to standing knee-deep in flat saltwater in the gulf of mexico; to this moment. Decker Rohl is the son of his forefathers, a Fenrir to the bone, savage and raw and brutish. His rage is like a fire in his blood, licking up at the slightest fuel thrown its way.

All he says, though, is this -- singular and fierce:

"I remember who you is."

A few moments pass. He draws a breath that expands his chest; looks over his shoulder for a second. The other Garou are not looking at him. Perhaps they've very deliberately not looking this way.

He turns back, exhaling that breath now.

"'f I come back ta Chicago," he says, quiet, "'ll look ya up, 'Gen."

[Imogen] Both hands have closed now, two fists, useless, impotent. She is a slight woman, if an indomitable one. She fights with her mind, with a gun, if pressed with a blade. She does not fight with her fists. If she did, she would be ineffective. Useless.

She is not that.

Her jaw is tensed as well. There is little about her that is not tense. Her body taut like a guitar's E string tuned up too high, vibrating at the strain, on the edge of breaking.

I remember who you are. He says and she does not answer. She neither agrees nor offers disagreement. Denies or concedes.

What does it matter, anyway.

Her mouth seals shut, and behind the seam, unseen, her teeth press on her bottom lip, leaving it raw. She resists the immediate, visceral reaction, the words which catch in her chest.

Come back.

Her ribs are a cage, creaking, aching but ultimating withstanding the storm.

Instead, she says: "I suppose, then, there's nothing left to be said."

[Silence] Nothing left to be said. Nothing for him to say, either. There's room here for some corny one-liner, some sappy phrases about love and devotion or, at the least, remembrance. There's room for a goodbye kiss. Hell. One last beautiful night together. Something absurd and storybook like that,

but that's not their style. And never was.

After a long pause, when one or the other is on the brink of turning away -- Silence holds his hand out. Not for a handshake, but the way he always did: palm up, fingers a little open.

[Imogen] Her eyes lower to the offered hand - the first time she's acknowledged he is more than eyes to look upon directly, the first time she's taken in any part of him that hasn't been in defiance.

"I can't." Quiet, low.

[Silence] There's a beat of silence. Then Decker lowers his hand back to his side. The nod is the same as it ever was -- a tilt of his head upward, unhurried and thuggish.

"Yeah okay."
That's the same too.

Not much lingering after that. Another second or two. A beat of the heart, two. Then he takes a step back, and another. It's on his mind to wish her a good night, or to tell her to drive safe; tell her he'll see her later. Something of the sort. He doesn't. Another step and he simply turns, sturdy ugly boots crunching on the loose gravel as he strides down the embankment. Purposeful now.

When he reaches the others they rise with an air of expectation and waiting come to fruition. No one offers sympathy or commiseration, or even gives the slightest hint of knowing -- or caring -- what words were exchanged between the Modi and the Fianna-blooded woman who was, by all accounts, his mate. Those who were sitting stand. Those who stood hoist their bags if they have one; check their belongings. There's a sense of ranks closing, and then they move out.

[Imogen] "Rohl." As he begins to turn, or some half second before. If he turns back, she looks at him, her eyes lowering then lifting, her fingers moving slightly. She remains where she is, unapproaching, as her gaze flicks beyond him toward the Garou who loiter within the caern's boundaries.

"Make sure one o' them knows to tell me if you die," she says, lifting her chin to indicate them. "Will you?"

[Silence] [*erases last couple lines from last post, transplants 'em here!*]

A hesitation -- a brief furrow of the brow. Then he nods.

Turns, sturdy ugly boots crunching on the loose gravel as he strides down the embankment. Purposeful now.

When he reaches the others they rise with an air of expectation and waiting come to fruition. No one offers sympathy or commiseration, or even gives the slightest hint of knowing -- or caring -- what words were exchanged between the Modi and the Fianna-blooded woman who was, by all accounts, his mate. Those who were sitting stand. Those who stood hoist their bags if they have one; check their belongings. There's a sense of ranks closing, and then they move out.

[Imogen] She does not stay to watch him go. As he turns away, so does she. While he approaches the caern's fence, he can hear the choppy unadjusted sound of the Volvo's engine as she starts it, the gravel crunching beneath the vehicle's wheels as she pulls away.